The melodies in this sonata are animated and shared diplomatically between the violins, so that both performers require full command of a kaleidoscope of virtuosic techniques.
Photo: Supplied
Anthony Marwood Photo: Sussie Ahlburg
This piece explores the relationship between two instruments of the same species. While it might lack a bass instrument and variation of harmony and colour, the sonata is very dynamic.
In the first movement the instruments slink and slither. They exchange statements and ideas – singing their own melody with contrasting shapes and ranges.
The following allegro begins in a percussive way with the appearance of pizzicato or plucked notes and dizzying physical feats.
The third slow movement uses mutes to give the sound a dream-like quality and the fourth and final movement is fast and animated requiring full concentration and virtuosic techniques from both players.
Recorded 1 February 2019, Nelson Centre of Musical Arts, Nelson by RNZ Concert.
Engineer: Graham Kennedy
